Hey Boro! Thanks for picking my piece for Over-Pain! Great advice and can't wait to put it into action. Composition is always something for me to pre-consider more before I start a piece, so good advice.
If you want to see some of my more recent digital paintings feel free to check our my Insta: @Brybox
The only thing I didn’t really like was that you changed the colors to be a lot more cold, I think it kinda killed some of the artistic aspects in the picture
I like the overpainting. As for the part near the end of the video when you mention the complex lighting situation of all the mushrooms, in situations like that with a bunch of complex shadow casting potential and things like that in my experience it's better to sort of consider the average light source, i.e. imagine if all the lights except for the very most important (nearby) ones formed a single light source (which effectively they do, if there are a bunch of light sources that are all really close to each other there is ultimately a sense in which they become a single larger source of light). not only is it easy and fast but it will also give you a very accurate-looking result if you can figure out what the 'average' of all the other insignificant light sources is. So in the case of the mushrooms with all the shadows, to me it doesn't seem so important to consider every single possible point of illumination or anything like that, I'd just look for a sense of something like this: "relative to this particular object most of the influential light sources are coming from this firection, and there is significantly less light coming from other directions, so I'll make an extremely soft and subtle shadow fanning out to the area with less illumination (since of course it's still being lit by other light sources just not as much so)." that's how I'd typically address weird lighting like that. To be fair it doesn't come up often.
Yay Another Over-Pain! I'm so happy lol. I watch every single over-pain that comes out! You're always so informative and helpful in your videos but you also don't make the artist feel bad if there is need for improvements in their art-works. Cant wait for the next video! 🙂
Comments (20)
Hey Boro! Thanks for picking my piece for Over-Pain! Great advice and can't wait to put it into action. Composition is always something for me to pre-consider more before I start a piece, so good advice.
If you want to see some of my more recent digital paintings feel free to check our my Insta: @Brybox
The only thing I didn’t really like was that you changed the colors to be a lot more cold, I think it kinda killed some of the artistic aspects in the picture
woah the triple screen is really cool
This is so helpful! Thankyou!
Amazing paintover, specially how you rendered the light is… spot on 😀
he got quite a belly now 😛
Are you religious? (shirt)
Saitama-san what if I got something that has tiddies, will you still overpaint it xD?
pretty cute looking monster actually ovo
Great job. I do miss the face having a bit of a bump for a nose, and it was not so flat. It had more Character.
does anyone ever overpaint borodante's illustrations?
I think about your 'potato brush' ideas when I paint in school-senior undergrad
Creature looks much more sympathetic and interesting right now, the whole composition and the story
Great video! Very informative, looking forward to more!
How you liking the new hue slider?
I like the overpainting. As for the part near the end of the video when you mention the complex lighting situation of all the mushrooms, in situations like that with a bunch of complex shadow casting potential and things like that in my experience it's better to sort of consider the average light source, i.e. imagine if all the lights except for the very most important (nearby) ones formed a single light source (which effectively they do, if there are a bunch of light sources that are all really close to each other there is ultimately a sense in which they become a single larger source of light). not only is it easy and fast but it will also give you a very accurate-looking result if you can figure out what the 'average' of all the other insignificant light sources is. So in the case of the mushrooms with all the shadows, to me it doesn't seem so important to consider every single possible point of illumination or anything like that, I'd just look for a sense of something like this: "relative to this particular object most of the influential light sources are coming from this firection, and there is significantly less light coming from other directions, so I'll make an extremely soft and subtle shadow fanning out to the area with less illumination (since of course it's still being lit by other light sources just not as much so)." that's how I'd typically address weird lighting like that. To be fair it doesn't come up often.
Hm, looks like my artwork now most likely to be inspired by borodante, i hope i can improve especially with finishing brush.
That thumbnail tho
do you have a vid for struggling artist like me in coloring ??
Yay Another Over-Pain! I'm so happy lol. I watch every single over-pain that comes out! You're always so informative and helpful in your videos but you also don't make the artist feel bad if there is need for improvements in their art-works. Cant wait for the next video! 🙂